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Christopher Dylan Herbert is a performer of opera, classical voice and musical theater based in New York City. He has received acclaim for his heroic, bright and smooth baritone voice, his impeccable diction, his colorful styling, and his buoyant and versatile dramatic abilities. He has performed in opera houses and concert halls throughout the United States and the world.
Mr. Herbert recently won an encouragement award from the Sullivan Foundation, received third prize in the Kurt Weill Foundation’s Lotte Lenya Competition, was a finalist in the Liederkranz Foundation Competition, and performed the role of Aeneas in Dido and Aeneas with the Mark Morris Dance Group. He has performed within the past three years at Tanglewood, Central City Opera, Opéra Rouen, Opera Vivente, the Music Academy of the West, New York’s Marble Collegiate Church, and Lincoln Center.
During 2008, Mr. Herbert performed the role of Pluto in Offenbach’s Orpheus in the Underworld at Opera Vivente, the role of William Williamson in Bolcom’s A Wedding at Music Academy of the West, the baritone solos in Carmina Burana with the Handel Society of Dartmouth College, and performed with the charitable organization Sing For Hope at the New York Times Center in New York City.
Previous seasons have brought Mr. Herbert to many venues throughout the United States. He recently performed at the Music Academy of the West in Santa Barbara, California where he performed in recitals, opera scenes, and master classes provided by luminaries Marilyn Horne, Warren Jones, Lotfi Mansouri and Christopher Larkin. Mr. Herbert also recently appeared at the Tanglewood Music Center where he performed on numerous concerts and recitals. Most notable among them was A Sondheim Celebration with the Boston Pops conducted by Keith Lockhart, wherein Mr. Herbert performed scenes as Anthony from Sweeney Todd, Frank from Merrily We Roll Along, and Charles from Evening Primrose at Boston's Symphony Hall and at Tanglewood's Koussevitsky Music Shed. Other appearances at Tanglewood included a performance as Phoebus in Bach's Cantata 201: Der Streit zwischen Phoebus und Pan with Craig Smith and a Tanglewood baroque orchestra, a song master class with James Levine, a fellowship recital of 20th century Finnish music, and an all-Stravinsky vocal chamber music concert, each in Seiji Ozawa Hall. Mr. Herbert has also performed at Central City Opera in Colorado as a Bonfils-Stanton Young Artist where he appeared as Dandy and Barney in The Ballad of Baby Doe and on scenes as Papageno in The Magic Flute, as Zurga in The Pearlfishers and as Guglielmo in Cosi fan tutte. Other previous performances have included the role of the Puritan Leader in a co-production between Opera Boston and Boston Baroque of Gluck's Alceste, a Lincoln Center debut as the baritone soloist in Farewell to Music with the Christopher Caines Dance Company and performances as Pilgrim-Monk in Britten’s Curlew River with Opéra Rouen at the Japan Society of New York.
In addition to his opera and oratorio experience, Mr. Herbert is an accomplished recitalist, and has interpreted art song from a variety of time periods and countries, ranging from Medieval to twenty-first century and from Brazil to Poland. His notable recitals include those at Tanglewood, Central City, Harvard University's Paine Hall, and Yale University's Sudler Hall. In 2006, Mr. Herbert added to his art-song experience as a Young Concert Artists International semifinalist, performing a wide variety of song literature at New York’s 92nd Street Y.
Mr. Herbert holds a B.A. in Music and Near Eastern Languages and Civilizations from Yale University and an M.A. in Middle Eastern Studies from Harvard University. He is proficient in French, Italian and Arabic and currently resides in New York City.
| Opera
Roles |
| Sid |
Albert Herring |
Opera Vivente |
2009 |
| William Williamson 2008 |
A Wedding |
Music Academy of the West |
2008 |
| Pluton/Aristée |
Orpheus in the Underworld |
Opera Vivente |
2008 |
| Schaunard (cover) |
La Bohème |
Music Academy of the West |
2007 |
| Dogianere |
La Bohème |
Music Academy of the West |
2007 |
| Aeneas |
Dido and Aeneas |
Mark Morris Dance Group |
2007 |
Pilgrim Monk |
Curlew River |
Opéra Rouen/Japan Society of NY |
2007 |
| Njegus |
The Merry Widow |
Mobile Opera |
2006 |
| Dandy |
The Ballad of Baby Doe |
Central City Opera |
2006 |
Barney (youth perf.) |
The Ballad of Baby Doe |
Central City Opera |
2006 |
| Guglielmo |
Cosí fan tutte |
Bronx Opera |
2006 |
| Puritan Leader |
Alceste |
Opera Boston/Boston Baroque |
2005 |
| Lead Player |
Evening of Sondheim Review |
Aspen Opera Theater Center |
2003 |
| Bartley |
Riders to the Sea |
Yale College Opera Company |
2001 |
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Le Nozze di Figaro |
Yale College Opera Company |
2000 |
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| Concert
Work |
| Recitalist |
NY Recital for Proposal Winners |
VIM Tribeca/ICO Music |
2008 |
| Baritone Soloist |
Carmina Burana & Liebesliederwalzer |
Collegiate Chorale |
2007 |
| Baritone Soloist |
Taverner – In Memory… |
New York Virtuoso Singers |
2007 |
| Anthony (Sweeney Todd) |
Celebration of Sondheim |
Boston Pops |
2005 |
| Phoebus |
Der Streit zwischen Phoebus und Pan |
Tanglewood Music Center |
2005 |
| Bass Soloist |
Messiah |
Fine Arts Chorale of Massachusetts |
2005 |
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Pilate/Peter St. John’s Passion |
New Haven Oratorio Chorale |
2004 |
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| Partial
Opera Roles |
| Masetto |
Don Giovanni |
Music Academy of the West |
2007 |
| Frank |
Die Fledermaus |
Music Academy of the West |
2007 |
| Papageno |
The Magic Flute |
Central City Opera |
2006 |
| Zurga |
Les Pêcheurs de Perles |
Central City Opera |
2006 |
| Sid |
Albert Herring |
Aspen Opera Theater Center |
2003 |
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| Education,
Training Programs and Awards |
| Liederkranz Foundation Competition, Finalist |
2008 |
| Sullivan Foundation, Encouragement Award |
2007 |
| Music Academy
of the West, Young Vocal Artist |
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| Lotte Lenya
Competition for Singers, Third Prize |
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| Central City
Opera, Bonfils-Stanton Young Artist |
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| Young Concert
Artists International Auditions, Semifinalist |
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| Tanglewood
Music Center, Vocal Fellowship |
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| Harvard University,
M.A., Middle Eastern Studies |
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| Aspen Opera
Theater Center, Vocal Scholarship |
2001,2003 |
| Yale University,
B.A., Music and Near Eastern Languages and
Civilizations, magna cum laude |
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| Other
Musical Training and Skills |
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- Viola Studies: Symphonic, solo and chamber
training, 12 years
- Yale Whiffenpoofs, premiere a cappella group,
2002 vice-president
- Stage Combat Training, Certified Personal
Trainer, Extensive Movement, Dance, and Yoga
Experience
- Fluent in French and Arabic, Proficient in
Italian and Hebrew, Basic skills in German,
Polish and Russian
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| Conductors |
Coaches |
Directors |
Master
Classes |
| Christopher Larkin |
John Churchwell |
Marc Astafan |
Phyllis Curtin |
| Keith Lockhart |
Warren Jones |
Ed Berkeley |
Kenneth Griffiths |
| John Moriarty |
Stephen Lord |
Patrick Diamond |
Graham Johnson |
| Martin Pearlman |
Greg Ritchey |
Michael Ehrman |
James Levine |
| Jerome Shannon |
Dawn Upshaw |
Lotfi Mansouri |
Patricia Racette |
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“Baritone
Christopher Herbert performed heroically with
Orff’s cruelly high tessitura and sang with
impeccable diction.”
- Robert Levine, Classics Today,
May 15, 2007
(regarding Carmina Burana with the Collegiate
Chorale)
www.christopherdylanherbert.com |
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